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Following his smash-hit company debut with The Hours, composer Kevin Puts returns to the Met with his Pulitzer Prize–winning first opera, inspired by the true events of the 1914 Christmas truce, when soldiers spontaneously set aside the horrors of the First World War and crossed the trenches to mingle, exchange gifts, and sing carols with the enemy.

Following his smash-hit company debut with The Hours, composer Kevin Puts returns to the Met with his Pulitzer Prize–winning first opera, inspired by the true events of the 1914 Christmas truce, when soldiers spontaneously set aside the horrors of the First World War and crossed the trenches to mingle, exchange gifts, and sing carols with the enemy.

Following her radiant turn in Gounod’s Roméo et Juliette — which garnered raves for “high notes that spun like liquid gold... Sierra touched the operatic firmament” (The New York Times) — superstar soprano Nadine Sierra takes on another alluring French heroine, the irresistible title character of Massenet’s passionate drama.

Following her radiant turn in Gounod’s Roméo et Juliette — which garnered raves for “high notes that spun like liquid gold... Sierra touched the operatic firmament” (The New York Times) — superstar soprano Nadine Sierra takes on another alluring French heroine, the irresistible title character of Massenet’s passionate drama. Leading tenor Matthew Polenzani is her idealistic lover, the Chevalier des Grieux, with rising-star baritone Andrzej Filończyk as her stalwart cousin, Lescaut, in a breathtaking Belle Époque staging by director Laurent Pelly.

Overflowing with gorgeous melody and hilarious hijinks, Mozart’s satirical comedy of fickle young love is one of the composer’s most sublime creations.

On New Year’s Eve 2026, Puccini’s exhilarating drama of the Wild West returns in a new staging by celebrated British director Richard Jones, marking the company’s first new production of La Fanciulla del West in more than 30 years.

On New Year’s Eve 2026, Puccini’s exhilarating drama of the Wild West returns in a new staging by celebrated British director Richard Jones, marking the company’s first new production of La Fanciulla del West in more than 30 years.

Sacred, scandalous, and irresistibly alluring, Saint-Saëns’s spectacular take on the biblical hero of legendary strength andthe seductive Philistine whose beauty overpowers him returnsin the Met’s larger-than-life production.

Sacred, scandalous, and irresistibly alluring, Saint-Saëns’s spectacular take on the biblical hero of legendary strength andthe seductive Philistine whose beauty overpowers him returnsin the Met’s larger-than-life production.

The season opens with hair-raising drama and spectacular singing as two of opera’s most extraordinary artists star in Macbeth, Verdi’s thrilling take on the immortal Shakespearean tale of the scheming couple determined to seize power at any cost.

Two of today’s leading dramatic tenors — Michael Fabiano and Brian Jagde — take on the tour-de-force title role of what many considerthe ultimate Italian opera, Verdi’s monumental Shakespearean tragedy. Beloved sopranos Angel Blue and Ailyn Pérez make their company role debuts as the long-suffering Desdemona, alongside baritones Artur Ruciński as the sinister Iago. Michele Mariotti leads the full forces of the Met Orchestra and Chorus in the exhilarating score.

A profound philosophical meditation on compassion and reconciliation, Wagner’s transcendent rendering of a medieval knight’s heroic quest for the Holy Grail returns in François Girard’s celebrated production, a “thoughtful and intrepid staging, full of striking imagery” (The New York Times).

A profound philosophical meditation on compassion and reconciliation, Wagner’s transcendent rendering of a medieval knight’s heroic quest for the Holy Grail returns in François Girard’s celebrated production, a “thoughtful and intrepid staging, full of striking imagery” (The New York Times).

Two of today’s leading dramatic tenors — Michael Fabiano and Brian Jagde — take on the tour-de-force title role of what many considerthe ultimate Italian opera, Verdi’s monumental Shakespearean tragedy. Beloved sopranos Angel Blue and Ailyn Pérez make their company role debuts as the long-suffering Desdemona, alongside baritones Artur Ruciński as the sinister Iago. Michele Mariotti leads the full forces of the Met Orchestra and Chorus in the exhilarating score.