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How did the world come to be born from chaos? How can music tell the story of light coming into being? What appears in the score when birds fly overhead or the sea rears up? Haydn’s The Creation is filled with evocative musical tricks, from which Ádám Fischer will select highlights for Müpa Budapest’s traditional New Year’s afternoon concert, one specifically designed for schoolchildren.

Ella Smith – szoprán Thurnay Viola – alt Megyesi Zoltán – tenor Melkovics Zoltán – basszus Purcell Kórus Orfeo Zenekar (korhű hangszereken) Vezényel: Vashegyi György

Haydn’s monumental oratorio, The Creation, captivates not only by laying the Enlightenment’s harmonious philosophy bare before us, but also by presenting us with a whole new world.

Joanne Lunn – szoprán Tim Mead – kontratenor James Gilchrist – tenor Neal Davies – basszus Purcell Kórus Orfeo Zenekar (korhű hangszereken) vezényel: Bart van Reyn

Joseph Haydn londoni utazásairól szól Bősze Ádám előadás-sorozata.

Robin Johannsen – szoprán Balogh Eszter – alt Komáromi Márton – tenor Cserményi Zsombor – basszus Purcell Kórus Orfeo Zenekar (korhű hangszereken) vezényel: Vashegyi György

As in previous years, the 2025/2026 Ferencsik season ticket is aimed primarily at lovers of the Viennese classics. Once again it, offers a wealth of enriching experiences. From Joseph Haydn, we will hear the Symphony No. 87 in A major, the Notturno No. 5 in C major, the “Clock” symphony and the Violin Concerto No. 4 in G major.

Ludwig van BEETHOVEN (1770–1827): F-dúr kürt-zongora szonáta, op. 17 c-moll hegedű-zongora szonáta, op. 30 No. 2 — Johannes BRAHMS (1833–1897): 3 Intermezzo, op. 117 Esz-dúr trió kürtre, hegedűre és zongorára, op. 40

Franz SCHUBERT (1797-1828): G-dúr szonáta, D 894 A-dúr zongoraötös “A pisztráng”, D 667 Carol Anton FODOR művei Somlai Petra – fortepiano Ensemble Variabile

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