When a composer has created a masterpiece in a given genre, their achievements immortalise their name and work, which we preserve in our memory and compare to everything else. What is even more interesting is to get to learn about their initial steps in the area in question and find out what their earliest attempts were like. more
Ön egy múltbeli eseményre keresett rá. Kérjük, válogasson aktuális kínálatunkból a Jegy.hu keresőjében!
Last event date: Wednesday, October 28 2020 7:30PM
Haydn: Il ritorno di Tobia
When a composer has created a masterpiece in a given genre, their achievements immortalise their name and work, which we preserve in our memory and compare to everything else. What is even more interesting is to get to learn about their initial steps in the area in question and find out what their earliest attempts were like. This concert offers a chance to do this, with a performance of the rarely heard first oratorio by the creator of The Creation, which is performed at Müpa Budapest's New Year's concerts from year to year.
Haydn did not compose his first oratorio until 1775. Then, at the age of 43, he wrote his Italian-language oratorio Il ritorno di Tobia to a libretto by the brothers Giovanni Gastone Boccherini and Luigi Boccherini. The work - his most extensive and demanding piece thus far - was performed a total of three times during his lifetime, all three at a concerts of Vienna's Tonkünstler-Societät. The first was during the year of its creation, with a large cast and orchestra and with great success. The second staging took place in 1784 - a notable evening in that in all likelihood it marked Haydn's first meeting with Mozart. The third and final time was in 1808. On this occasion, the work found a major rival, as this was also the evening of Beethoven's famous composer's concert, which featured the public premières of his fifth and sixth symphonies and his Piano Concerto No. 4 in G major. This time, the work will be performed by internationally renowned early music specialists Ann Hallenberg, Roberta Invernizzi, Sophie Karthäuser, Anders Dahlin and Christian Immler accompanied by the Purcell Choir and the Orfeo Orchestra, all rehearsed by György Vashegyi.
Conductor: György Vashegyi
Cast:
Anna Ann Hallenberg
Tobia Anders Dahlin
Sara Sophie Karthäuser
Tobit Christian Immler
Raffaele Roberta Invernizzi
Featuring:
Purcell Choir
Orfeo Orchestra
A magical meeting of two anniversaries on the Müpa Budapest stage: the Talamba Percussion Group is celebrating its 25th anniversary this year with a 21st-century arrangement of a piano cycle by Mussorgsky's piano cycle Pictures of an Exhibition as it turns 150 itself: following on the heels of Emerson, Lake & Palmer and Isao Tomita with their versions, they are presenting their own take on the 19th-century masterpiece, this one revised for percussion and electronica, and featuring DJ Bootsie.
The overture to Berlioz's late opera Béatrice et Bénédict is an exciting and dynamic piece of music. Tchaikovsky's Violin Concerto is one of the most popular works of the 19th century: virtuosic and intimate at the same time.
Megérkezett Pottyondy Edina új estje, a Démonok és hormonok. Terápiás stand up a körülöttünk élő és a bennünk lakó démonokról.…
Macskabál van az elhagyott színház ódon színpadán. Minden évben egyszer megrendezik a bált, és erre összegyűlnek a környék - nagyon…
A Rumini a mai magyar meseirodalom egyik sztárszerzőjének, Berg Juditnak a legismertebb műve, melyet évről-évre több ezer magyar gyerek olvas…
item(s) in basket
total:
Time limit has expired. Please, put item(s) in to basket again.
