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Evoking the excitement of anticipation and waltzing with angels in the bright starlight, to playfully immerse yourself in the Christmas wonderland.

Among the artists who have already appeared at Müpa Budapest, it is the return of esperanza spalding that has been anticipated longest and most eagerly. As the years have passed, she has become ever harder to pin down, and her sphere of interest now extends far beyond singing and playing the bass: She now defines herself as a composer, poet, dancer, therapist, storyteller, educator, community builder, and even as an advocate for soil regeneration.

A Voices of the Future – A jövő hangjai Magyarország egyik legnagyobb, középiskolásokat megszólító kulturális programja, amelyben ötszáz diák vállalkozik arra, hogy hónapokon át együtt készüljön, majd a Müpa színpadán adja elő a zeneirodalom kiemelkedő alkotásait.

Jazzbois first burst onto the scene at the 2017 Müpa Budapest Jazz Showcase. By 2023, they were hosting Kaláka as guests at the Festival Theatre, and, a couple of years later, they were conquering major international festivals: the Leverkusener Jazztage, the Montreux Jazz Festival, Jazz à Vienne, and the Montreal Jazz Festival, to name but a few. Jamie Cullum also dedicated an entire BBC radio show to the band, including a conversation with Viktor Sági.

The Hungarian National Dance Ensemble’s 2024 production conceived during its time as Ensemble of the Season offers a glimpse into the unbridled and cheerful fun of the carnival.

It has been 30 years since Mónika Lakatos first emerged on the Hungarian and international music scenes and started building bridges between cultures through her art: an emblem and authentic representative of the Gypsy musical tradition, she has also become an integral part of the Hungarian music world as a whole.

The German-born British musician Max Richter, one of the busiest and most popular pianist/composers active in the modern post-minimalist classical genre today, is coming to Müpa Budapest to perform his first ever concert in Hungary.

The globally beloved Portuguese genre of fado is already familiar to the Müpa audience, and now one of its greatest contemporary stars is visiting Budapest for the first time. Nominated for a Latin Grammy, Carminho is a true heir to her mother, Teresa Siqueira, and was celebrated as the genre’s great hope in 2005, even before she reached the age of 20.

The Japanese singer-songwriter Ichiko Aoba, who is also recognised as a music publisher and acclaimed film composer, creates enchanting, ambient folk-pop songs that explore the boundaries between reality and fantasy. Her latest album, Luminescent Creatures from 2025, is considered one of the year’s most celebrated releases.

A magyar-ghánai Sena Dagadu a 21. századi hazai popzene jelentős alakja, akinek az Irie Maffia zenekar és szólóprodukciói mellett meditatívabb, Sena DagaDub nevű triója is igen népszerű. A formáció 2024-ben a magyar zenei élet élő legendáját, Presser Gábort látta vendégül a Müpában, és az együttműködés annyira jól sikerült, hogy a projekt most mindkét fél – és persze a közönség – örömére folytatódik.

How did the world come to be born from chaos? How can music tell the story of light coming into being? What appears in the score when birds fly overhead or the sea rears up? Haydn’s The Creation is filled with evocative musical tricks, from which Ádám Fischer will select highlights for Müpa Budapest’s traditional New Year’s afternoon concert, one specifically designed for schoolchildren.

Taking the stage together with one of the world’s most celebrated orchestras at this concert will be two illustrious sons of musical families: Paavo Järvi, who hails from a family of conductors, and Alexandre Kantorow, a pianist born to violinist parents.

Haydn’s monumental oratorio, The Creation, captivates not only by laying the Enlightenment’s harmonious philosophy bare before us, but also by presenting us with a whole new world.

Camille Saint-Saëns: III. c-moll szimfónia op.78 (Harmath Dénes – orgona) I Adagio - Allegro moderato, II. Allegro moderato - Presto -- Carl Orff: Carmina Burana

What makes the Mass in B minor so unique is the fact that in it Bach – most unusually for a Lutheran composer – set the liturgical texts of the entire mass cycle to music.

Together with her internationally successful early music ensemble, L’Arpeggiata, harpist and theorbo-player Christina Pluhar are renowned for fashioning each and every concert programme out of a unique project. For this occasion, they have chosen one of the greatest masterpieces from the Baroque opera literature:

Purcell: Music for the Funeral of Queen Mary – March, Z. 860 Elgar: Cockaigne Overture, Op. 40 Britten: Peter Grimes, Op. 33a – Four Sea Interludes

Let’s imagine the opera house is just a few steps from the church, because tonight is the night the organ pipes will bring the most thrilling moments of opera to life.

Elgar: Cello Concerto in E minor, Op. 85 Elgar: Seranade for Strings in E minor, Op. 20

An elegantly light repast that feels like it could be served in an aristocratic Viennese palace – under crystal chandeliers and accompanied by delicately tinkling cutlery and heavenly music.

It is an important objective of the Hungarian National Philharmonic’s Opera season ticket to interpret not only popular hits of the genre, but also to present the audience with a rare and valuable work worth discovering from time to time.

Bea Palya’s series entitled “My Silks” has been running with great success since 2015. At these concerts, where she also performs with her excellent band, Palya always introduces a female vocalist less familiar to the Hungarian audience. The events focus on bridging musical worlds and the meeting of two voices, as the artists perform both their solo material and together in the form of duets.

The 12 Cellists of the Berlin Philharmonic are a unique ensemble, composed exclusively of instrumentalists from the cello section of one of the world’s top symphony orchestras.

Elgar: Civic Fanfare Purcell: Abdelazer, Z. 570 – Overture and Rondeau Britten: The Young Person’s Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), Op. 34

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